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If you hear the esses jump out across a range of volumes, fire up a de-esser, like the De-esser module in Nectar 3. Listen to your mix at multiple playback levels for perspective. Sometimes it can be tough to determine how hard to de-ess, or even whether you should at all. Trust your gut: If a take of a particular line or word doesn’t immediately grab you, scratch it off the list and move on to the next take! Dealing with the natural sounds of mouth machinery
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In order to avoid spending hour after hour comping together a vocal and losing sight of the bigger picture, be ruthless. It is common, though, to dig in line-by-line or section-by-section, depending on your singer, to assemble the most compelling complete version of the song’s vocals. It’s probably not necessary to go as deep as word-by-word, since the mood and spirit of a vocal delivery can get squashed through too much editing.
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Start with one of the strongest full takes and begin scrutinizing. Once you’ve tracked everything, you can assemble the best versions of each section into a “top” take. By this point, you’ll already have plenty of backup takes, so the continuity of a few complete runs can make for a great starting point to comp from. Let it roll and don’t stop partway through if you hear anything wacky. Once you’re sure you’ve grabbed solid stuff for every part of the song, ask for a few passes through the entire tune. Aim to track the vocals of each song section between four and eight times-a nice round number that should give you plenty of raw material to draw from.Īfter working on each section individually, a singer has often rehearsed their way into a really strong performance. Since hard drives and additional memory are both relatively inexpensive, there’s really no reason not to capture extra versions of your singer’s performance. To get your tracks into shape for mixing, it’s important to carefully analyze the material you’ve captured and perform any needed surgery or cleanup. Between the twin pillars of recording vocals and mixing vocals lies the crucial, but sometimes overlooked, stage of editing vocals.